From July 20 to 24, Healing Arts Lviv hosted the School on Trauma-Informed Art Practices.
The school aimed to deepen understanding of the role of art in working with trauma and to build a network of artists, psychologists, educators, and professionals in art and health who can promote trauma-informed approaches in their fields, strengthening society’s capacity to respond to trauma.
The five-day program took place at the Home of Sound (LME Lviv Radio) and featured six hours each day of lectures, practical workshops, discussions, and group work. It brought together 35 participants, including artists, psychologists, and servicemen from Ukraine’s Cultural Forces. Priority in selection was given to those who could integrate the knowledge gained into their institutions, educational processes, art therapy sessions, and other professional practices.
12:00 – Welcome lunch
14:00 – Getting to know you activity – eg personal stories
16:00 – A tour of the Sound Laboratory, a presentation of the tape installation by Ostap Manuliak and Kostia Vidmotay, and a musical performance “Improfaza” (Home of Sound, LME Lviv Radio).
10:00 – 10:30 Why trauma-informed arts? (Christopher Bailey, online)
10:30 – 13:00 Trauma-Attuned Arts Practice Overview (Henry Redwood, Darren Abrahams, Veronika Skliarova)
13:00 – 14:00 Lunch
14:00 – 16:00 Workshop: Linking up Mind/ Body through Movement (Anastasiia Portnova)
16:00 – 16:30 Tea break
16:30 – 17:30 Creative Reflection
10:00 – 10:30 Intro / Reflection. What is missing? Gaps in practice/knowledge/networks
10:30 – 11:30 Therapeutic Art, Theory and Practice (Ukraine’s Cultural Forces’s presentation)
11:30 – 12:00 Tea Break
12:00 – 13:00 Mind / Body Competency – emerging within space (Darren Abrahams)
13:00 – 14:00 Lunch
14:00 – 15:00 (Participatory) Practice in Action (Women’s Leadership in Trauma-Informed Art)
15:00 – 16:00 Resonances of Pain: Art as a Tool for Transforming Traumatic Experience (Olga Govorukha)
16:00 – 16:30 Tea Break
16:30 – 17:15 Creative Reflection
10:00 – 10:30 Intro / Reflection
10:30 – 12:00 Building the space: Leadership and embodying presence (Darren Abrahams)
12:00 – 13:00 Embodied Practice (Oksana Potapova)
13:00 – 14:00 Lunch
14:00 – 16:00 Artists / memory work in conflict affected contexts (Khrystyna Rutar)
16:15 – 17:15 Creative Reflection
10:00 – 10:30 Intro / Reflection
10:30 – 11:30 Moderated conversation: Networking, Peer Mentoring and Policy (Henry Redwood, Tina Ellen Lee, Oksana Pyzik, Rebecca Duclos, and Uliana Furiv)
12:00 – 13:00 Practical mapping. What comes next? (Henry Redwood, Darren Abrahams)
13:00 – 14:00 Lunch
14:00 – 15:00 Creative evaluation process / Reflection
Christopher Bailey is the Head of the Arts and Health Department at the World Health Organization, the founder of the Healing Arts Initiative, which researches the impact of art on health and brings together scientists from around the world. He is also the co-founder of the Jameel Arts & Health Lab.
The lab focuses on researching the evidence base for the health benefits of art, establishing a global network of research centers to study effective practices and the fundamental science behind how art can enhance physical, mental, and social well-being.
Veronika Skliarova is a cultural manager, theatrical producer, and art curator. She is the director of the NGO “ART DOT”, the head and founder of the Art Therapy Force project, and the program director of the Parade-fest festival. She has participated in international residencies and produced performative projects such as “Crimea, 5 a.m.”, “Ukrainian Odyssey”, and “Lesya. History”.
She was also the coordinator of the Ukrainian pavilion at the Avignon Off-Theater Festival, several national theater festivals in Europe, a jury member of the Polish dramatic prize Avrora in Bydgoszcz, and the coordinator/producer of the exhibition “Kurbas. Workshops”, dedicated to the 100th anniversary of the founding of the artistic association “Berezil”.
Henry Redwood is a lecturer in War Studies at King’s College London. His work examines how communities are formed through, and as a result of, war, with a specific interest in the role that law, archives, and aesthetics play in this process.
Henry has received several research council grants to support this work (ESRC and AHRC), and he has been widely published, including a monograph with Cambridge in 2021 titled “Archival Politics of International Courts”. Henry regularly collaborates with practitioners as part of his research and engagement, including the International Criminal Tribunal for Rwanda, Opera Circus, BlkBrd Collective, and Mark Neville. He has co-produced several public exhibitions and artworks, including “Undiscernible” (2019) and “The Notebook” (2020) with Vladimir Miladinović.
Khrystyna Rutar is a researcher of cultural memory and trauma, and a lecturer at the Department of Cultural Studies at the Ukrainian Catholic University and the Department of Contemporary Art Practices at the Lviv National Academy of Arts.
In her work, she combines academic rigor with practices of public humanities and socially engaged learning.
Tina Ellen Lee ia an artistic director and co founder of Opera Circus. Originally a singer and actress with the company, she is also a consultant and mentor, leading international arts youth programs in the UK and across Europe. She commissions and produces music theatre and chamber opera, and for 20 years partnered with Professor Nigel Osborne as composer and animateur.
Her work with young people across borders has been recognized with the European Citizen’s Prize. She is also a Winston Churchill/Finzi Fellow and a Salzburg Global Fellow.
Darren Abrahams is a singer, coach, trauma therapist and trainer working internationally to support changemaking leaders navigate crises while prioritising wellbeing.
Darren is co-founder of The Human Hive, a social enterprise with the ambition to train 8 million regenerative ChangeMakers by 2030. He is on the steering team of The Complete Freedom of Truth, an international youth-led project developing global youth citizenship through culture and the arts, and serves as a trainer and Wellbeing Adviser for Musicians Without Borders, where he trains musicians to use music for peacebuilding.
Darren is co-founder of the One World Orchestra, an inter-cultural ensemble of musicians based in the UK, exploring the idea of ‘Home’ through music. Additionally, he co-presents the Conscious Creative Leadership podcast with Nadine Benjamin MBE, discussing leadership in the 21st Century. Darren is an expert at helping people feel safe while bringing communities together for healing.
Anastasia Portnova is an integrative, body-oriented psychotherapist, mindfulness instructor, and author of psychoeducational and rehabilitation programs, masterclasses, trainings, courses, and research projects.
Rebecca Duclos is a former Dean of the Faculty of Fine Arts and a professor in the Department of Art History at Concordia University, Canada.
She has held positions at the McMichael Canadian Art Collection, Design Exchange, Textile Museum of Canada, and The Manchester Museum, and has taught at McGill University and the Ontario College of Art and Design University.
Since 2004, she has worked as an independent curator, realizing numerous projects, including Manchester Letherium at Cornerhouse, As Much as Possible in the Time and Space Allotted at Leonard and Bina Ellen Art Gallery, Voir/Noir at Musée d’art de Joliette, Magnify at ICA, Maine College of Art, Telepathic Drawing Session at Articule, and In This Lack of Containment Lies a Danger but Also a Power at Skol.
Oksana Pyzik is an Associate Professor at the UCL School of Pharmacy, Research Department of Practice and Policy, and Founder of the UCL Fight the Fakes Collaborating Centre and Executive Board Member of the Fight the Fakes Alliance.
Oksana is also a licensed Pharmacist in the UK and her teaching, research and global engagement portfolio spans across global health topics including health inequalities, social determinants of health, humanitarian emergencies in conflict zones, pandemic preparedness, medicines quality with a focus on substandard and falsified medical products and digital health. She is a member of the World Health Organization expert working group on substandard and falisifed medical products and Editorial Board Member of the SAGE Medicines Access Journal.
Oksana Potapova is a feminist activist, researcher of the gendered aspects of war through theatre and body-based practices, and a facilitator of restorative and educational spaces.
She works on dialogue within conflict-affected communities, the integration of internally displaced persons, the protection of women’s and human rights defenders’ rights in the context of war, and the implementation of the Women, Peace, and Security (WPS) principles at both local and national levels.
Olha Hovorukha is a psychologist, gestalt therapist, supervisor, mediator, and director of the NGO Step to People.
She has worked in a psychiatric hospital, taught at universities, and collaborated with communities, internally displaced persons, the LGBTQ+ community, the IT sector, and social services. She is the author of numerous training programs and workshops on psychotherapy, mediation, conflict resolution, trauma, emotional intelligence, and burnout prevention.

The School on Trauma-Informed Art Practices is part of Healing Arts Lviv, a project that took place from July 20 to 27, 2025, in Lviv. It brought together artists, educators, healthcare and social workers, as well as representatives of government and international organizations to explore art as a tool for healing.