Healing Arts Ukraine: Trauma Attuned Arts School

From 23 to 26 June, the Trauma-Attuned Arts School took place as part of Healing Arts Ukraine.

The school aimed to deepen understanding of the role of the arts in working with trauma and to build a network of artists, educators, psychologists and other arts and health professionals who can promote trauma-attuned approaches in their respective fields, strengthening society’s capacity to respond to trauma.

The programme combined lectures, practical workshops, facilitated discussions, and collaborative work, with six hours of immersive learning each day. It brought together 35 artists, psychologists, educators, and health and social care professionals from different regions of Ukraine. Priority was given to participants who could apply the acquired knowledge within their institutions, educational environments, therapeutic practices, and communities.

Throughout the school, participants explored the principles of trauma-attuned practice, reflected on ethical considerations and professional challenges, and examined how arts-based approaches can contribute to supporting people affected by trauma.

The programme was based on the Trauma-Attuned Arts Framework, developed by Professor and clinical psychologist Angela Kennedy, opera singer and trauma therapy specialist Darren Abrahams, senior lecturer in the Department of War Studies at King’s College London Dr Henry Redwood, and theatre producer and WHO consultant for arts and health Veronika Skliarova. The school also included contributions from Ukrainian experts working across arts and healthcare.

PROGRAM

Day 1: Welcome

15:00 – Welcome lunch
16:00 – Getting to know you activity
18:00 – Comics as a Way of exploring meaning: A comic-making workshop with Mykola Hlibovych / Dzyga

Day 2: Introducing the Framework / Mind Body Competency

10:00 – 10:30 – Why trauma-informed arts? (Christopher Bailey)
10:45 – 13:00 – Trauma-Attuned Arts Practice Overview (Darren Abrahams, Henry Redwood)
13:00 – 14:00 – Lunch
14:00 – 15:30 – Workshop: Linking up Mind/ Body through Movement (Anastasiia Portnova)
15:30 – 16:00 – Tea break
16:00 – 17:00 – Creative Reflection (Darren Abrahams)
18:00 – 20:00 – Daria Kuzmich’s Exhibition “Eye on the Knee” / Jam Factory Art Center

Day 3: Power, Embodiment and Practice

10:00 – 10:30 – Intro / reflection – what is missing? Gaps in practice/knowledge/networks (Darren Abrahams)
10:30 – 11:00 – Mind/ Body Competency – emerging within space (Darren Abrahams)
11:00 – 11:30 – Tea Break
11:30 – 12:30 – Mind/ Body Competency – emerging within space (Darren Abrahams)
12:30 – 13:00 – Case Stusy – Textile therapy in medical and psychological rehabilitation systems: from traditional weaving to sensory integration (Olena Sira)
13:00 – 14:00 – Lunch
14:00 – 15:30 – Silent book club & Discussion
15:30 – 16:00 – Tea Break
16:00 – 17:00 – Creative Reflection
18:00 – 20:00 – “The Traveller’s Playlist” / Lesya Theatre

Day 4: Next Steps

10:00 – 10:30 – Intro / Reflection
10:30 – 11:30 – Chronobiology (Nigel Osborne)
11:30 – 13:00 – Memory (Henry Redwood)
13:00 – 14:00 – Lunch
14:00 – 16:00 – Practical mapping – what comes next? (Svitlana Bazhenova)
16:00 – 16:30 – Tea break
16:30 – 17:30 – Creative evaluation process
18:00 – 19:00 – “At Ira and Lera’s” Performance / atelienormalno

Christopher Bailey is the former Head of the Arts and Health Department at the World Health Organization, the founder of the Healing Arts Initiative, which researches the impact of art on health and brings together scientists from around the world. He is also the co-founder of the Jameel Arts & Health Lab.

The lab focuses on researching the evidence base for the health benefits of art, establishing a global network of research centers to study effective practices and the fundamental science behind how art can enhance physical, mental, and social well-being.

Veronika Skliarova is a cultural manager, theatrical producer, and art curator. She is the director of the NGO “ART DOT”, the head and founder of the Art Therapy Force project, and the program director of the Parade-fest festival. She has participated in international residencies and produced performative projects such as “Crimea, 5 a.m.”, “Ukrainian Odyssey”, and “Lesya. History”.

She was also the coordinator of the Ukrainian pavilion at the Avignon Off-Theater Festival, several national theater festivals in Europe, a jury member of the Polish dramatic prize Avrora in Bydgoszcz, and the coordinator/producer of the exhibition “Kurbas. Workshops”, dedicated to the 100th anniversary of the founding of the artistic association “Berezil”.

Darren Abrahams is a singer, coach, trauma therapist and trainer working internationally to support changemaking leaders navigate crises while prioritising wellbeing.

Darren is co-founder of The Human Hive, a social enterprise with the ambition to train 8 million regenerative ChangeMakers by 2030. He is on the steering team of The Complete Freedom of Truth, an international youth-led project developing global youth citizenship through culture and the arts, and serves as a trainer and Wellbeing Adviser for Musicians Without Borders, where he trains musicians to use music for peacebuilding.

Darren is co-founder of the One World Orchestra, an inter-cultural ensemble of musicians based in the UK, exploring the idea of ‘Home’ through music. Additionally, he co-presents the Conscious Creative Leadership podcast with Nadine Benjamin MBE, discussing leadership in the 21st Century. Darren is an expert at helping people feel safe while bringing communities together for healing.

Anastasia Portnova is an integrative, body-oriented psychotherapist, mindfulness instructor, and author of psychoeducational and rehabilitation programs, masterclasses, trainings, courses, and research projects.

Henry Redwood is a lecturer in War Studies at King’s College London. His work examines how communities are formed through, and as a result of, war, with a specific interest in the role that law, archives, and aesthetics play in this process.

Henry has received several research council grants to support this work (ESRC and AHRC), and he has been widely published, including a monograph with Cambridge in 2021 titled “Archival Politics of International Courts”. Henry regularly collaborates with practitioners as part of his research and engagement, including the International Criminal Tribunal for Rwanda, Opera Circus, BlkBrd Collective, and Mark Neville. He has co-produced several public exhibitions and artworks, including “Undiscernible” (2019) and “The Notebook” (2020) with Vladimir Miladinović.

Olena Sira is a weaver, museum specialist, and art therapist at the Mental Health Centre of the Unbroken Rehabilitation Centre.

Nigel Osborne is a composer, art therapist, and expert in using music and art to support children traumatized by war. He developed his method during the war in Bosnia and Herzegovina (1992-1995) and later applied it in the Balkans, the Caucasus, the Middle East, East Africa, Southwest Asia, and India.

He was also been awarded the Freedom Prize of the Peace Institute, Sarajevo, for his work for Bosnian children during the siege of the city. Osborne has worked actively in human rights initiatives, Workers’ Defence Committee in Poland (1970–1989), Citizens’ Forum and the Jazz Section with Václav Havel in former Czechoslovakia (1987–1989), for Syrian refugee support organisations. During the genocide Osborne worked directly for the Government of Bosnia-Herzegovina.

From 2012 until 2014, Osborne served as co-chair of the Global Agenda Committee for Arts in Society for the World Economic Forum.

The Trauma Attuned Arts School is part of Healing Arts Ukraine — an arts and health campaign to support military health, veteran recovery and civilian resilience in times of conflict.

Healing Arts Ukraine is implemented by Art Therapy Force as part of the global Healing Arts initiative by Jameel Arts & Health Lab, with the support of the WHO Regional Office for Europe under the Health Resilience in the Eastern Partnership programme, funded by the European Union. It is delivered through a national coalition of organisations working at the intersection of culture, healthcare, education, and policy, including the Lviv City Council, Lviv Radio Municipal Enterprise, the Institute of Culture Strategy, the UNBROKEN rehabilitation centre, and King’s College London.

WHAT PEOPLE SAY

Larysa Holovko

Taking part in the Trauma-Attuned Arts School was an incredibly valuable and profound experience for me. It was a space where professional development, humanity, and genuine care came together.

I would like to sincerely acknowledge the organisers’ attentive and thoughtful approach to every participant. There was a strong sense of safety, support, and care in every aspect of the programme, which allowed us to fully immerse ourselves in learning and creativity.

Special thanks to the trainers — Darren, Chris, Henry, Nigel, Veronika Skliarova, and others — for their generosity, openness, and professionalism. Your experience and approach are inspiring and open up new professional horizons.

I am deeply grateful to the organisers — Svitlana Bazhenova, Tetiana Zubok, and the entire team — for creating a space that brought together deep learning, cultural events, and an atmosphere of support.

I would also like to highlight the rich cultural programme, the participants’ real-life cases, and the wonderful photographs from the events that captured the atmosphere of the school. I was particularly moved by the events at the Unbroken rehabilitation centre, where we had the opportunity to witness the power of people’s recovery, as well as by the creative practices: making comics in a Lviv café and the performance Visiting Ira and Lera by atelienormalno.

For me, this week was also an opportunity to recover a little, step away from constant stress, and spend some time in historic Lviv in a safe environment.

This experience was incredibly profound, rich, and transformative. I met wonderful people, gained new ideas, and experienced the true power of community.

My heartfelt thanks to all the participants for co-creating this experience and for their support. Being part of such a group was a great privilege. Special thanks for the opportunity to sing and paint together — those were some of the warmest and most energising moments.

Thank you to everyone who helped create this space! This is an experience I want to cherish and one that will undoubtedly continue to shape my practice.

Khristina Bila

I am incredibly grateful to have been part of the school, to have met all these wonderful people, and to have heard things I had needed to hear for a long time — so that I could continue my creative work with joy, support, new skills, and renewed energy.

It was a huge step forward in both my professional and personal development. Even though the schedule was quite intense, I looked forward to every lecture and workshop, and then ran off to the showcase events.

Thank you so much for the incredible care and attention you showed to all the participants, and for fostering such meaningful connections among active and creative people.

I highly recommend joining the next events and schools!

Hanna Tsymbalista

Applying to take part in the school was one of the best decisions I could have made. I gained important knowledge and a foundation on which to build further experience. I met creative professionals with real experience working with people affected by trauma, and had opportunities for practice, exchange, and future collaborations.

And, of course, the lecturers deserve a special mention. Learning from the best in order to become more useful in our respective fields is a real privilege at a time when the world offers countless educational opportunities, not all of them of high quality.

Thank you to the entire team for this opportunity, for your care, and for the time we spent together!

Tetiana Ohloblina

For me, this was one of those trips whose warm impressions stay with you for a long time and make you rethink what you have learned.

What surprised me most was that even I sang — which is almost unbelievable for me. It was incredibly valuable that there was enough time for everything: not only to learn, but also to meet people, talk, and reflect on new ideas.

I found myself in a community where everyone was very different — in terms of professions, interests, and experience — yet everyone understood and supported one another remarkably well.

It was precisely this atmosphere of safety and acceptance that inspired me to try new things, grow, and return home wanting to keep creating.

The workshops unexpectedly became very important to me. I often work with people myself and am usually on the other side of the process, so having the opportunity simply to be a participant and devote time to myself and my own creativity was a real gift.

Thank you to the school for this experience and to the people who created it. I would really love for us to meet again someday.

Kateryna Braverman

A wonderful, generous, and completely unpretentious event. For me, the healing balance between playfulness, sounding, jumping, and scientific and practical knowledge about trauma-attuned practice was incredibly valuable. If I had to sum it up in one word: freshness!

There was such a diverse range of activities engaging different sensory aspects, so there was never that dulled feeling of exhaustion. The trainers were also genuinely attuned to the group, and when they sensed that everyone was getting a little overwhelmed by the waterfall of new experiences, they created space for a breather while maintaining connection and a sense of belonging. 💕

It was a high-quality event in every respect, starting with the food (which really does matter) and ending with the warm and respectful interaction between the trainers, which set the tone and created an atmosphere of friendliness for the participants as well.

Without exaggeration, this team can be a wonderful example of how to create high-quality educational events that are also deeply human and soulful.

Anna Oriekhova

First and foremost, I would like to thank the Art Therapy Force team for their tremendous work and for creating such a comprehensive programme that brought together the School for Practitioners, the Congress, and the showcases.

For me, this combination was particularly valuable, as it allowed me to see the bigger picture of how the creative health field works — through real-life cases, Ukrainian and international experience, and the development of a professional community.

It was especially interesting to hear from practising professionals, representatives of the public sector, therapists, and artists. I would also like to highlight the openness of the lecturers and organisers to feedback, dialogue, and further collaboration with the initiatives of the participants.

Mariia Denisova

I had heard so many amazing things about Art Therapy Force from teenagers, but I never dreamed I would get to be part of it myself 🙂

It was wonderful to find myself in a community of inspiring people who share similar values, who have discovered powerful and fascinating tools and are ready to use them to benefit all kinds of people.

The thought that together we can draw on the incredible experience of our country, bring it together, and share it with the world is incredibly inspiring.

I felt an incredible sense of strength after the school and the Congress. It was also amazing to see how the adults opened up more and more with each passing day — it felt as if the school had lasted ten days rather than just a few!

Dancing, printing, drawing, joking, imagining, and searching for answers together with adults was so much fun 🙂 I am endlessly grateful. 🙂

Anastasiia Petrova

It was an interesting experience of engaging with artistic practices directed towards me personally — a practical experience of being inside the process.

Out of habit, I wanted to step back into the realm of theory, but now I understand that this lived experience lays the foundation for further learning, and that there is now somewhere for the theory to land.

I am very grateful for this experience, and to all my colleagues and the organisers ❤️

Yelizaveta Rylceva

I am still absolutely thrilled that something like this happened to me. And among all the brilliant, smart people with whom I shared this experience, I even found a few new friends (not just one — imagine that!)

My deepest thanks to the whole incredible team for the tremendous work and for being there with us.

It felt like I had travelled into space and even got to visit mission control.

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